An experimental exploration of the never-ending transfusions of science, technology and art using diverse narrative, musical and visual techniques, quilted so to speak, adventurously and honestly. The project consists of twenty songs or sung lyrical narratives (combining diverse styles) and a journal which brings together narrativefragments, song lyrics and images that reveal feelings, emotions, memories and associations that is transmitted through a multiplicityof voices. I have attempted to sift through a new visual languagedriven towards expressing the starkness of the inner world of human consciousness in relation to scientific thought and information. During such a process I have endeavored to reconstruct personalmemories, experiences and imagination to synthesize lyrical abstraction originating from scientific research or ideas. In order to spill the unhindered truths of the mind I have tried out new structures both musically and narratively in an effort to reveal the layers of open configurations of references, connotations, parallels of thoughts and reactivations of the literary mind. Such an assemblage has involved disintegration or transfusion of ideas or moments but the dislocations have all the time been meaning to seek connectivity,thus at times creating varying textures and tensions or even silent zones left open to interpretation.

With the aid of musical and narrative journaling, I have found myself connected with the deepest imageriesof the soul, inside out. I have discovered intuitive tools in theprocess that have helped me integrate (like never before), logicalthoughts with the most intimate feelings, dreams and experiences. Ihave finally opened the pathway of my soul to share what I have felt,heard, seen, touched and smelled-to heal, feel transformed and empowered.

Mary Sherman: (artist, curator and founding director of Transcultural Exchange)

Vassiliki Rapti: (Co-founder and co-chair of the Ludics Seminar at the Mahindra Humanities center at Harvard University and affiliated faculty at the department of writing, literature and publishing at Emerson College.)

Christopher Janney: (American composer, artist and a pioneer in sound art and interactive architecture who for more than three decades has been creating numerous permanent interactive sound/light installations and performances around the world. He received an MS in Environmental Art at MIT and his thesis under the legendary Oto Piene was titled Soundstair.)

Martin L. Demaine is an artist and mathematician, the Angelika and Barton Weller artist in residence at the Massachusetts Institute of Technology.